Orangeville Art Group
Maggiolly’s is pleased to share selected works from artist members of the Orangeville Art Group in our front window. With a 60+ year history of supporting artists and the arts in Orangeville and the Headwaters region, the OAG offer workshops, art talks, plein-air paint-ins, and shows to help our artists develop their skills and to display their work.
Stop by our front window gallery at 158 Broadway, Orangeville from Sept 1 - 30, 2026
Adult Art Classes & Workshops
Date: 6 Tuesdays: September 15 - October 20, 2026
Time: 2:00pm - 5:00pm
Instructor: Brenda Loschiavo | Meet our artist instructors
Price: $185.00 +hst
Note:
Students are responsible for their own art materials; see below for materials list
OPEN TO ALL LEVELS
Join artist Brenda Loschiavo to learn how to mix oil colours, the importance of values, and a variety of methods such as blending, layering, and dry brushing.
This course is a low-stress, fun introduction to oil mediums, with an emphasis on building confidence and enjoying the process.
Materials List
3 or 4 Canvases
Black gesso
Oil Paints
Cadmium red light
Alizarin crimson
Cadmium yellow light
Ultramarine blue
Sap green
Viridian green
Cerulean
Titanium white
Brushes
Palette knife
Strippable palette (disposable sheets)
White transfer paper (like black carbon only white)
White pencil crayon
Odourless mineral spirts
Small jar with lid
Small tin for dipping
Paper towel
If you have an iPad, that may be helpful
You need a good reference photo for each canvas. Look for light shadow and colour. Everyone works on their own subject. You can enlarge your photo to the exact size of the canvas at Staples ahead of the class.
Black and white is all that is required. Brenda will offer guidance to transfer the subject on to your canvas. You can also freehand your drawing and she is available to assist with this method.
About Brenda Loschiavo
Brenda Loschiavo’s love of oil painting has taken her to many exciting countries and allowed her to have her paintings in collections in Europe and the US.
Her greatest joy is someone falling in love with one of her paintings and of course passing her knowledge along to her students. She is looking forward to introducing oil to new people who always wanted to try.
Following the intro course she will teach an all level class to those who wish to deepen their skills.
www.brendaloschiavofineart.com
If you aren’t able to pay online, or if you’d like to register over the phone or in person, please don’t hesitate to call us at 519-942-9560 or visit us in store at 158 Broadway, Orangeville! (All prices are in CAD +hst)
Date: 1-Day Workshop - Saturday, September 19, 2026
Time: 10:00am to 4:00pm
Artist/Instructor: Rick Worthington | Meet our artist instructors
Level: Beginners with some experience and intermediate painters welcome
Price: $135.00 +hst
12” x 16” Canvas (with pre-drawn image) provided
Students are responsible for their own art materials; see below for materials list
Explore Vincent van Gogh’s Café Terrace at Night in this one-day oil painting workshop.
Students focus on bold colour, warm-cool contrast, and expressive brushwork to create that glowing night-time atmosphere. Rather than getting caught up in detail, students use a simplified scene and concentrate on light, colour, and movement.
Working from a master painting is a great way to strengthen your understanding of colour, composition, and paint application.
Suitable for beginners with some painting experience and intermediate painters. Bring your own supplies or purchase materials through the store. A recommended supply list will be provided in advance.
Materials List
Paint
Winsor & Newton Winton or Gamblin 1980 oil colours
Cadmium Yellow Light
Cadmium Red light
Quinacradone Magenta
Ultramarine Blue
Phthalo green
Titanium White
Brushes
Bristle brushes (Maggiollys carries the HJ Acryloil line)
Flats #4, #6 and #8
Filberts #4, #6 and #8
Tools
Palette cup
Palette (wood/glass or disposable) 9x12 or larger
Palette knife
Odourless mineral spirits (for brush cleaning) in a mason jar or brush washer with lid
Linseed oil (optional)
Canvas
A 12x16 canvas will be provided. It will have our image pre-drawn so as to get us to the good stuff, painting, quicker.
Other
Rags or paper towels
Pencil and eraser
Old clothes or apron
About Rick Worthington
Rick Worthington is a contemporary impressionist painter who lives and works in the artistic community of Elora, Ontario. As a full-time artist with a passion for painting en plein air, Rick fell under the spell of the impressionist masters including Mattiess and Sorolla.
Rick’s work is held in the permanent collection of the Centre Wellington Museum and Archives along with private collections throughout North America and Europe and can be found at the Abbostford, BC Gallery. He has been featured in the magazine Sideroads of Waterloo Wellington and he has had a piece recognized in the Plein Air Magazine, having placed first in the magazines Salon Competition for Plein Air Water. Rick has won numerous plein air competitions including the Toronto Plein Air Competition, the Bellville Plein Air Competition, the Ontario Plein Air Society Challenge and the Elora Plein Air Competition. He has participated in numerous juried shows including the Sooke Fine Arts show, the TD Victoria Art Gallery Paint In, the Toronto Arts Project Juried Show and the Insights Juried Art Show.
If you aren’t able to pay online, or if you’d like to register over the phone or in person, please don’t hesitate to Maggiolly’s at 519-942-9560 or visit us in store at 158 Broadway, Orangeville! (All prices are in CAD +hst)
Date: 6 Wednesdays - September 23 - October 28, 2026
Time: 10:00am to 1:00pm
Artist/Instructor: Roslyn Levin | Meet our artist instructors
Price: $195.00 +hst
Students are responsible for their own art materials; see below for materials list
OPEN TO ALL LEVELS OF EXPERIENCE
Challenge yourself with Sumi-e painting and learn a new art form with award-winning sumi-e artist, Roslyn Levin.
Sumi-e is the century old art of painting using a brush, ink and thin rice-paper or washi. This course is suitable for all levels with the focus on techniques and on the Sumi-e vocabulary of strokes.
The artist depicts the essence of what he or she is trying to portray with as few brushstrokes as possible—simply and elegantly, but with strength in each line or shade.
Sumi-e is a mindfulness meditation. It is a metaphor for our journey through life, a way to grow spiritually, one brushstroke at a time. Join renowned Sumi-e artist Roslyn Levin and learn this beautiful Japanese art form in the heart of downtown Orangeville!
Over the course of six classes, learn how to paint a variety of flora and fauna including those pictured here in the class description.
Materials List
Recommended: “The Brush Dances” by Roslyn Levin, SCA
White Felt approximately 18”x18” or 20”x20”
From the art supply stores or Fabricland
1 - Sumi-e brush with hair about 1.25” long and a base about 1/4” wide
Goat hair, horse hair or wolf are appropriate
Washi or rice paper
It is best to get either the package of 40 sheets, or the roll in the cardboard tube
Both available at Maggiolly Art
1 - Inkstone
1 - Inkstick. Note that the liquid ink is not appropriate
A small jar for water (about 1⁄2 cup)
A second small jar if you wish to incorporate colour
A white saucer or flat plate such as that used with a tea cup
2 - Small paperweights; small rocks or chopstick stands are appropriate
A washcloth to be used to remove excess ink – it will not be useful for anything else afterwards
Watercolours, if you wish to use them
About Roslyn Levin
Roslyn is an award-winning Oriental brushstroke or sumi-e artist, and has been creating her Zen paintings of animals, birds and nature for more than 35 years. Her work has been exhibited in Canada, England, Japan and China. She has been twice-blessed with The Ruth Yamada Award for Excellence in Sumi-e, in Sumi-e Artists of Canada Annual Juried Exhibit.
In 2009 Roslyn was recognized for "An Innovative and Personal Approach" from the Canadian & American Sumi-e Societies. The body, breath & brush are one with each brushstroke as she moves & breathes with the brush, reaching within to share her spirit with the image on the page. The key to this art form is simplicity, elegance, beauty, & serenity. Roslyn's work can be seen at Dragonfly Arts on Broadway in Orangeville.
If you aren’t able to pay online, or if you’d like to register over the phone or in person, please don’t hesitate to call Maggiolly Art at 519-942-9560 or visit us in store at 158 Broadway, downtown Orangeville! (All prices are in CAD +hst)
Date: 2-Afternoons Workshop: Wednesday, September 23 & 30, 2026
Time: 2:00pm to 5:00pm
Artist/Instructor: Lesley Kelly
Level: Beginner
Price: $100.00 +hst
Students are responsible for their own art materials; see below for materials list
Includes blank, 5×7 greeting card
OPEN TO ALL LEVELS OF EXPERIENCE
Learn how to draw beautiful, intricate Celtic knots and then use them to create a greeting card for any occasion.
Learn the basics of Celtic knot design (with a little history thrown in), how to draw square and round designs, how to create your own unique designs. Day One focuses on drawing Square knots; Day Two is drawing Circle knots.
Materials List
Blank watercolour greeting cards or postcards OR the equivalent in watercolour sheets that can be folded in half to form a card
Black fine liner markers (0.3, 0.4, or 0.5)
Ruler
HB pencil and eraser
Compass to draw circles
Protractor to measure and draw angles
About Lesley Kelly
Over the course of life, Lesley has dabbled with different ways of being creative - ranging from drawing and painting to paper-maché, stencilling, and even stained glass designs. In 2019, Lesley retired from a career in software design and decided to expand their art horizons by ‘branching’ out into new mediums. Since then, Lesley has discovered the art of bookmaking and gel printing, and has expanded into sketching, watercolour, and acrylic painting skills, to include Celtic knot designs.
If you aren’t able to pay online, or if you’d like to register over the phone or in person, please don’t hesitate to call us at 519-942-9560 or visit Maggiolly Art at 158 Broadway, Orangeville! (All prices are in CAD +hst)
Date: 3-Day Weekend Workshop: Saturday, October 17 to Monday, October 19, 2026
Time: 11:00am to 4:00pm
Artist/Instructor: Emilia Perri | Meet our artist instructors
Level: Beginner / Intermediate
Price: $195.00| Maximum of 4 Students
Students are responsible for their own art materials; see below for materials list
Create your own beautiful work of art and then walk all over it! Add a splash of colour and creativity to any space in your home by creating your very own custom floorcloth with artist instructor Emilia Perri.
In this 3-day workshop, you will form the floorcloth, glue the edges for a strong seam, create an acyrlic painting (subject matter your choice), and then watch it add life to any room in your house!
This is a fun, low pressure course which allows you to explore your creativity, and learn how to create awesome decor for your space.
Students are responsible to bring their own art and painting materials.
Cost of the floorcloth ($25/yard) is not included in ticket price; you can choose the size to work on and purchase it during the workshop.
About Emilia Perri
Emilia is a graduate of OCAD, an abstract expressionist and the found and previous owner of Maggiolly's. She enjoys exploring the unknown in her paintings, often inspired by music, nature and emotions. Emilia loves providing her community with access to art supplies and classes, encouraging everyone to be creative and express themselves!
If you aren’t able to pay online, or if you’d like to register over the phone or in person, please don’t hesitate to call us at 519-942-9560 or visit Maggiolly Art at 158 Broadway, Orangeville! (All prices are in CAD +hst)
NEW Dates: 5 Thursdays - September 24 - October 22, 2026
Time: 10:00am to 1:00pm OR 6:00pm - 9:00pm
Instructor: Andrea Trace | Meet our artist instructors
Price: $190.00 +hst
Ages: 14+ | 9+ with adult accompaniment
Note:
Students are responsible for their own art materials; see below for materials list
OPEN TO ALL LEVELS OF EXPERIENCE
An ordinary sketchbook… transformed into a wonderful, portable sanctuary, a safe place for your thoughts, ideas, memories, and creative explorations.
Learn all about the fun and health-giving practice of sketchbook journaling and discover the secrets of journalling for health and happiness. Students explore a host of techniques including collage, lettering, drawing, page design, rubber stamping, and printmaking.
Learn to carve rubber stamps and use a gel plate to make printed papers in your favourite colours. Students also spend a day hand binding our own journals.
This class is for all skill levels from beginner to advanced. No previous art experience is necessary. Experienced artists will discover new ways get creative in their sketchbook and beginners will realize they have what they need to put their thoughts on paper in beautiful ways.
Did you know? Journaling is back! Discover this wonderful way to ease stress, enhance mental health and build confidence as you explore ways to record and express your life. Drawing everyday is good for you! It’s your time to acquire a new (good) habit.
Materials List
Some art supplies will be provided, and some you will bring:
A sketchbook or journal
Fine line black marker(s)
Something to add colour to your pages like coloured pencils, markers, watercolour paint and brush, watercolour pencils and brush (bring whatever you most want to work with).
About Andrea Trace
Andrea began her fine arts training in 1979 just as the Vancouver School of Art was becoming Emily Carr College of Art. She continued her studies at Capilano College in North Vancouver. Andrea has worked in the graphic arts industry for 20 years, transitioning from design markers on a drafting board to Photoshop on a laptop computer. Recently, Andrea has begun painting again and is a member of Dufferin County’s Kame & Kettle artists’ group. Andrea is also active with Headwaters Arts, operating out of the historic Alton Mill Arts Centre.
If you aren’t able to pay online, or if you’d like to register over the phone or in person, please don’t hesitate to call us at 519-942-9560 or visit us in store at 158 Broadway, Orangeville! (All prices are in CAD +hst)
New Arrivals
Nitram's superb quality ensures that it does not crumble under pressure so you can express yourself with confidence
Includes five 12 mm soft round charcoal sticks
Made in Canada
This medium soft charcoal is the one most preferred for drawing and sketching
Nitram HB’s superior hold is perfect for homogenizing tones and retaining tonal detail
Includes five 5 mm medium soft charcoal sticks
Made in Canada
Includes five 5 mm hard charcoal sticks
Nitram H can be sharpened to an extra fine point for creating fine detail in your drawing
The unique hardness of Nitram H makes lighter and mid tones easier to attain
Made in Canada
For the discerning artist that requires a rich black for drawing, then Nitram B is the answer
Very soft, yet is still able to carry a point for working rich blacks into the paper or canvas
Includes five 5 mm soft charcoal sticks
Made in Canada
Fine Art Charcoal set, includes:
2 x H (5mm)
2 x HB (5mm)
2 x B (5mm)
2 x B+ (6mm)
Made in Canada
Ideal for shaping and sharpening charcoal and other drawing media
Includes an extra set of replacement pads
Dimensions: 23 x 8 cm (9 x 3 in)
Made in Canada
Rich, vivid colors that mix together beautifully. The set includes finely ground pastels that provide particularly soft and smooth drawing. Ideal for use on emery paper, heavily grained surfaces and pastel paper. Sharpen them to a chisel tip or drag them flat on their sides for various shading techniques.
18 Assorted Colors
Convenient 3 drawer carrying case
6 mm sticks
Lightfast and durable
Tombow Fudenosuke Brush Pen, 2 pack
Contains both the soft and hard tip Fudenosuke Brush Pens
Features a flexible brush tip for different lettering and drawing techniques
Create extra fine, fine or medium strokes by a change in brush pressure
Great for calligraphy and art drawings
Soft tip and hard tip water based, pigmented black ink
The General's Pencil Charcoal Pencil 2-Pack is a versatile and essential tool for artists and sketchers. These high-quality charcoal pencils provide rich, dark lines that are perfect for creating expressive and dramatic drawings, making them a must-have addition to your art supplies.
HARD TIP:
Fudenosuke Hard Tip Brush Pen features a firm yet flexible brush tip for different lettering and drawing techniques. Create extra-fine, fine or medium strokes by a change in brush pressure. Great for calligraphy and art drawings. Hard tip – water-based, pigmented black ink. Odorless. Non-refillable.
Hard Brush Tip
Great for calligraphy and art drawings
Water-based, pigmented black ink
Fine line
Odorless
For best results, use a smooth, non-textured paper. For more information, click here.
SOFT TIP:
Fudenosuke Soft Tip Brush Pen features a flexible brush tip for different lettering and drawing techniques. Create extra-fine, fine or medium strokes by a change in brush pressure. Great for calligraphy and art drawings. Soft tip – water-based, pigmented black ink. Odorless. Non-refillable.
Soft Brush Tip
Great for calligraphy and art drawings
Water-based, pigmented black ink
Fine line
Odorless
For best results, use a smooth, non-textured paper. For more information, click here.
FOR THE LOVE OF MAKING ART
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“I’m having so much fun doing this and I didn’t even know I had the talent!”
Nikki Lichacz, Art Supply Customer
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“I don’t care about having a fancy car, but I do want to have good quality art supplies. This is why I shop at Maggiolly Art!”
Matthew, Art Supply Customer
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“I found I could say things with color and shapes that I couldn’t say any other way—things I had no words for.”
Georgia O’Keefe
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“Art making is very meditative. I don’t have to think about what I’m doing. It’s very zen.”
Sharon Wong, Maggiolly Art Student
Paints & Medium
Apply Masking Fluid to create a barrier that protects desired white space by blocking watercolor washes.
The bottle includes five different fine-point applicator tips and dries to a transparent caramel color, so you can see it while you work.
The dried fluid is easy to rub off with your fingers or a rubber cement pick-up.
Made with the same pure pigments as Gamblin's Artist Oils'
Also use the same process of mixing, milling, filling, and hand labelling
Formulated with pure pigments, refined safflower oil and marble dust (calcium carbonate)
150ml tube
The surface of paintings made with beeswax mediums will become only as hard as a beeswax candle.
Adding Gamblin Galkyd to Cold Wax Medium/oil colors mix will increase the sheen and flexibility of the paint film.
Use a small amount to make Galkyd Mediums more matte.
Cold Wax Medium contains no oil, so it can be applied as a wax varnish over a dry oil painting.
Sets of 12, 24, 36 and 72 20ml-tubes
For use on paper, board, canvas, wood and stone
Can be thinned easily with water
Short drying time
Original color can last for decades
Excellent quality paint for artists and students
Rheotech achieves qualities previously exclusive to the professional artist arena and is undeniably the best quality paint in its class. Rheotech Acrylics have a creamy, workable consistency. Available in 250ml tubs in a variety of colours. Manufactured in Canada.
The first acrylic colors offered by GOLDEN, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added.
Each Heavy Body color formula reflects the qualities of its pigment. Colors that tolerate a higher pigment load dry to a more opaque, matte finish. Colors that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colors contain no matting agents, the gloss of each color will be different.
Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others.
Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion.
Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles.
High Flow is our newest acrylic paint that can go from brush to marker or from dip pen to airbrush and more. From fine lines to broad strokes, High Flow Acrylic has an ink-like consistency that lends itself to a wide range of techniques, including staining, leveling, calligraphy, and mixed media.
Introduced as a replacement for GOLDEN Airbrush Colors in July of 2013, High Flow offers increased durability of dry paint and a larger palette of colors including Iridescent and Fluorescent colors, and more single-pigment colors that match the other GOLDEN color lines.
A true liquid acrylic in its purest format with an extremely high pigment and binder concentration. This extensive line is recognized for its versatility, vibrancy and range of colour selection. Due to the highest pigment concentration, using mediums is highly recommended to extend colours and to allow the paint to perform the way it is intended.
Liquid colours mix flawlessly with liquid mediums for thin, smooth layers or fine detail work. They are equally adaptable to being mixed with thicker gel mediums to create thick colours or textural effects.
Once dry, the paint film will remain flexible and resistant to climatic changes. Liquid colours may also be thinned with water to obtain watercolour effects.
All pigments have been selected for permanence, purity and lightfastness.
No fillers or extenders are used.
All colours are manufactured with 100% finest acrylic emulsion and pure pigments to reveal authentic pigment characteristics and colour chroma.
The colour selection offers artists a choice selection of Opaque, Semi-Opaque and Transparent colours as well as matte, semi-gloss and gloss finishes.
Made in Canada
Brushes
Extra soft hake brushes made of very fine goat hair on a wooden handle
Useful for laying in large areas of water or color, wetting the surface, and absorbing excess media
For students, amateurs, and professionals alike, Simply Simmons Brushes offer excellent performance, dependability, and value — all at one low price, no matter what the size. They are handmade by skilled craftsmen to meet the same high standards that artists have come to expect from the Robert Simmons name.
This brush set comes with 5 different synthetic brushes and are great for different mediums.
Liner 1
Round 1
Flat Shader 2
Flat Shader 10
Filbert 6
For students, amateurs, and professionals alike, Simply Simmons Brushes offer excellent performance, dependability, and value — all at one low price, no matter what the size. They are handmade by skilled craftsmen to meet the same high standards that artists have come to expect from the Robert Simmons name.
The Simply Simmons Brush Set includes five high-quality brushes made with a combination of synthetic and natural hair, designed for watercolor painting. These versatile brushes ensure precise application and are suitable for beginners and professionals alike. Built with durable construction, they provide reliable performance for various painting techniques. A perfect addition to any artist’s toolkit.
Simply Simmons brushes are popular with artists all over the country, and they are now available in a long-handled style specifically designed for oil and acrylic painting! With sturdy natural hog bristles, these great brushes are handcrafted with seamless crimped ferrules, secure resin bonding, and lacquered long wooden handles.
The selection of traditional brush shapes is ideally suited to all techniques in either acrylics or oils. And perhaps best of all is Simply Simmons' incredible value, as each brush is available at one low price!
Key Features:
Long handle brushes
Natural hog bristle
Long, lacquered wooden handles
Perfect For:
Painting in oils
Acrylics
A wide array of painting techniques
For students, amateurs, and professionals alike, Simply Simmons Brushes offer excellent performance, dependability, and value — all at one low price, no matter what the size. They are handmade by skilled craftsmen to meet the same high standards that artists have come to expect from the Robert Simmons name.
These Short Handle Mop Brushes are designed especially for work in watercolours and inks, featuring fine-quality, unbleached goat hair. Offered in a choice of Round or Oval shapes, they're ideal for high-load, wet techniques.
The brush heads are resin-bonded and crimped to kiln-dried , lacquer-dipped birch handles using seamless brass and aluminum ferrules. This ensures a permanent fit that does not loosen, even with repeated use.
Simply Simmons Mixed Media Synthetic Brushesare economically priced synthetic filament brush with excellent spring, fine point and sharp edge. Great for students, amateurs, and professionals alike, Simply Simmons Brushes offer excellent performance and value at one low price, no matter what the size.
Short handle, soft taklon bristle most suitable for acrylic and watercolour painting.
Useable for a wide range of mixed media applications.
Drawing Tools
3 sharpeners for 3 different pencil sizes
Graphite, colour, and jumbo
2 compartments to contain shavings
Easy to clean
Dimensions: 2.58" x 1.8" x 1.8"
Single hole canister pencil sharpener
Equipped with universal sharpener 24°
Silver and black
With flip lid and removable sharpener for emptying
Set of 5 assorted willow sticks
5 inches in length
2 thin, 2 medium, 1 thick
Includes kneaded eraser
Dense, soft black charcoal
Ideal for fine lines, highlights, and details
Use it thickly for patches of darkest black
Set of 3 thin willow charcoals
Cushioned, triangular rubber grip reduces hand fatigue and cramping
Features long-lasting, white vinyl twist eraser
Clear grey
0.7mm lead
Made in Japan
Made from unvulcanized rubber
Knead and shape the eraser into a variety of shapes to erase fine lines
Best for use with charcoal or soft graphite
For all applications - made for professionals, scholastic use, artist and serious hobbyist
Safe and clean erase marks causing no damage to the paper
Sold individually
Paper & Sketchbooks
Black paper
Suitable for: Watercolour, acrylic, calligraphy, coloured pencil, gouache, marker, pastel & charcoal, pen & ink, silkscreen
100% cotton
300gsm, acid free, neutral pH
Hot-pressed on both sides
9 × 12 in
15 sheets
Black paper
Suitable for: Watercolour, gouache, metallics, acrylics
100% cotton sized for watercolour
300gsm, acid free, neutral pH
Cold-pressed on both sides
9 × 12 in
15 sheets
Smooth parchment tracing paper with very good transparency
Recommended for tracing images, sketching , preliminary drawing and overlays
9” x 12” - 50 sheets - 41 GMS / 25 lb
Vellum surface with more tooth for expressive mark-making
Ideal for graphite, coloured pencil, charcoal, pastel, and crayon
Suitable for finished artwork
Tape-bound for easy sheet removal
9×12, 100lb / 270gsm, 20 sheets
Acid free for oil pastel/dry pastel drawing
Textured surface
9×12, 24 sheets
80lb / 118gsm
Oil painting paper: linen finish, acid free, no gesso required
Strathmore 400 Series Oil Painting Pad offers canvas-like texture ideal for oil painting
Durable paper is perfect for artists, students, and classroom art projects
12x12, 215lb / 350gsm, 10 sheets
Oil painting paper: linen finish, acid free, no gesso required
Strathmore 400 Series Oil Painting Pad offers canvas-like texture ideal for oil painting
Durable paper is perfect for artists, students, and classroom art projects
9×12, 215lb / 350gsm, 10 sheets
Wood Panels
Made in Toronto, our cradled birch panels are the perfect painting surface for any medium.
Beautiful to use with encaustics, acrylics and oils, these boards are sturdy and mounted on a 1 1/2” stretcher for awesome support and presentability.
Board tops are 1/8” thick. Call for 1/4” pricing.
Custom sizing available on request, please call 519-942-9560 to inquire about custom birch panels.
PLEASE NOTE: Larger sizes of artist birch panels are available but cannot be sold via our online store as we can only ship panels up to 36” in length. All panels larger than 36” must be placed by calling 519-942-9560 or email at info@maggiollyart.com, and picked up at our location at 158 Broadway in Orangeville.
A wood surface suited for arts & crafts. Can be painted directly or gessoed and is suitable for all painting mediums. Sturdy, smooth and a wonder to work with as an alternative to canvas! Perfect for acrylic pouring!
Masonite panels are thin, flexible boards made from wood pulp, some with one side very smooth and one side grainy.
After gessoing, is a great surface for painting with oils or acrylics.
Also great to use as a drawing surface, or as a board for watercolour painting where the watercolour paper is taped to the board to prevent buckling.
Stiff presentation / illustration board available in black and white and a variety of sizes.
Sheets of archival, acid free foam core in white and black, various sizes available.
For local pickup only.
Archival, acid free mat board in white and black, 32” x 40”
For local pickup only.
Includes 5 round 6mm charcoal sticks
Made in Canada